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ONE PERSON EXHIBITIONS
1998 "Millennial Myths: Paintings by
Lynn Randolph," Arizona State University, Tempe, AZ. Catalogue: essays
by Walter Hopps, Donna Haraway, and Marilyn Zeitlin.
1997 "The Body and Technoscience: A Series
of Spectacles," University of Texas Health Science Center, Houston, TX.
1995 "Virgins in Vertigo and Juicy Women,"
Lynn Goode Gallery, Houston, TX.
1991 Graham Gallery, Houston, TX.
1990 "A Return To Alien Roots: Painting
Outside Mainstream Western Art," The Bunting Institute, Radcliffe College,
Cambridge, MA. Catalogue: essay by Margaret Miles.
1986 Graham Gallery, Houston, TX.
1984 Graham Gallery, Houston, TX. Catalogue:
text by Lucy Lippard and William Graham.
1978 Contemporary Arts Museum, Houston, TX.
SELECTED EXHIBITIONS
1999 "The Vunerable Body," ArtScan
Gallery, Houston, Tx. 1998 Altered Landscapes, ArtScan Gallery, Houston, TX.
1998 "Identity," University of Houston,
Clear Lake. Essay by Mary Ross Taylor.
1994 "Phantoms, Freaks, and the Fantastic,"
Diverse Works, Houston,TX.
1993 "The Mask in Contemporary Art,"
Sewall Gallery, Rice University.
1992 "Slouching Towards 2000: The Politics
of Gender," Women & Their Work, Austin, TX. Catalogue: essay by Lucy
Lippard.
1992 "Iconoclasm in Contemporary Texas
Art," Glassel School/ Museum of Fine Arts, Houston, TX.
1991 "The Power of Enduring Presence:
Ten Texas Women," Women and Their Work, Austin, TX. Catalogue: text by
Kathryn Davidson.
1991 "A Sense of Place: Recent Acquisitions
in Contemporary Texas Art," San Antonio Museum of Art.
1990 "Everyday Miracles: Retablos, Exvotos,
and Contemporary Texas Artists," Contemporary Art Museum, Houston, TX.
1989 "Evidence: Contemporary Narrative
Art of the Southwest," San Antonio Museum of Art, San Antonio, TX. Catalogue.
1988 "Texas Women," National Museum
of Women in Art, Washington, D.C.
1988 "Acts of Faith: Politics and the
Spirit," Cleveland State University, Cleveland, OH. Catalogue.
1988 "Houston '88" (Houston Art
Dealers Association.), Cullen Center, Houston, TX.
1987 "Third Coast Review: A Look at Art
in Texas," Aspen Art Museum, Aspen, Colorado. Catalogue: text by Annette
DeMeo Carlozzi.
1986 "The Texas Landscape, 1900-1986,"
Museum of Fine Arts, Houston, TX. Catalogue: essay by Susie Kahlil.
1986 "Prisoners of Conscience,"
(Organized by Amnesty Intl.) DIVERSE WORKS, Houston, TX. Catalogue.
1985 "Texas Artists in Los Angeles,"
Southern California Gallery for Contemporary Art, Los Angeles, CA.
1982 "Thirteen Artists: A Look at Houston,"
Georgia State University Gallery, Atlanta, GA.
1980 "Ten Houston Artists in Dallas,"
500 Exposition Gallery, Dallas, TX.
1980 "Texas Artists", Contemporary
Arts Center, New Orleans, LA.
1979 "FIRE," Contemporary Arts Museum,
Houston, TX. Catalogue.
PUBLIC COLLECTIONS
San Antonio Museum of Art Museum of Fine Arts
Houston Prudential Insurance Company
The Bunting Institute, Radcliffe/Harvard
Arizona State University Art Museum, Tempe,
AZ.
The Menil Collection, Houston
The National Museum of Women in the Arts
AWARDS & PRIZES
1989-90 Fellowship, The Bunting Institute,
Radcliffe College.
1987 Residency at Yaddo, June.
LECTURES & CONFERENCES
1998 "Ways of Seeing: the convergence
of Art, Science, and Technology," the Institute for the Medical Humanities,
University of Texas, Medical Branch, Galvaston.
1998 "The Identity Issue of Women Artists:A
Diacritical Perspective," South-centralWomen's Studies Conference,University
of Houston, Clear Lake.
1998 "Cyborgs, Wonder Woman, and Techno-Angels:
Collaborations between Lynn Randolph and Donna Haraway, "Webs of Discourse."
the annual conference of Center for Comparative Literature, Texas Tech University,
Lubbock Texas, February,
1996 "Cyborgs, Wonder Woman, and Techno-Angels:
Collaborations between Lynn Randolph and Donna Haraway, Center for the Critical
analysis of Contemporary Culture, Rutgers University, New Brunswick.
1995 "Between Cultural Eras: The Effects of
Postmodern Thinking on the Modernist Concepts of Regionalism," Meetings of
College Art Association, San Antonio, January.
1993 "The Ilusas (Deluded Women): Representations
of women who are out of bounds," Bunting Institute.
1992 "Shape Shifting: Toward Multifaceted
Representations of Women's Bodies." College Art Association, Chicago.
1991 Participant, Women's Caucus for Art,
National Conference, Washington, D.C.
1988 Lecture: Clyde Connell. Williams College,
Williamstown, MA.
1987 Slide presentation on Clyde Connell.
National Sculpture Conference: Works by Women. Cincinnati. OH.
1983 Speaker, Coalition of Women's Art Organizations
and the National Women's Caucus for Art, Moore College, Philadelphia, PA |
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SELECTED
BIBLIOGRAPHY
2000 Kvinder Kon Forsking 9. Argang.rr.2
(front and back cover and pp.8)
2000 Donna Haraway,an interview with Thyrza
Nichols Goodeve, How Like A Leaf, Routlege pp.102,116, 120-121, 145
1999 Lynn Randolph, an interview with Emily
Tod, Art Lies#24
1998 Caroline Goesner, Art Lies #19
(Spring).
1997 Deborah J. Haynes, The Vocation of
the Artist, Cambridge, UK: Cambridge University Press.
1997 Shaila Dewan,"Picture This: Lynn
Randolph brings a touch of reality to the Medical Center," Houston
Press, January.
1996 Donna Haraway, Modest Witness @ the
Second Millennium: FeMale Man Meets Oncomouse, Routledge: New York(Cover
Art and Ten Plates with commentary).
1996 William Simon, Postmodern Sexualities,
London: Routledge (Cover Art).
1995/6 Calyx, vol. 16: 2 (winter),
pp. 80-83.
1995 Susie Kalil, "No More Girlish Games,"
Houston Press, March 16-22.
1994 Susie Kalil, "The Small and the Dreadful,"
Houston Press, November 17-23.
1993 Susie Kalil, "Art Against Barbie, Houston
Press, Jan. 28 - Feb. 3, p. 34.
1993 Therese Lichtenstein, "Slouching Towards
2000: The Politics of Gender," Artforum, March.
1992 David Connelly, Art Papers, Jan./Feb.,
p. 66.
1991 Donna Haraway, "Promises of Monsters,"
in Cultural Studies, (eds.) L. Grossberg, et al. (London: Routl.)
1991 Estella Lauter, Quandrant. XXIII:
7 (Spring), p. 40.
1991 Simians, Cyborgs, and Women, Donna
J. Haraway. London: Free Association Books. (Cover art and Plate # 1.)
1990 Sciences, New York Academy of
Science. Nov./Dec.
1990 Thomas Frick, Art in America,
Dec.
1988 No Blue-bonnets, No Yellow Roses:
Essays on Texas Women in the Arts. Essay by Robert Hobbs. Spring.
1988 Review by Helen Cullinan, "Lucy Lippard
fights for art of personal belief." Cleveland Plain Dealer, Jan 8. 1988 Heresies:
A Feminist Publication. Issue #23.
1987 Women of Power, Issue 6: Spring.
1987 Review by D. Tennant, Artspace:
SW Art Qtly., Spring.
1987 Review by Suzanne Bloom/Ed Hill, Artforum
. March.
1986 Review by P. C. Johnson, Houston Chronicle,
Nov. 25.
1985 Lucie-Smith, Edward, "American Art
Now: (New York: Morrow)
1984 Bell, Michael S., "Surrealism-An Alternative
Approach: Veristic Attitudes in the Work and Writings of Contemporary Surrealists,"
Leonardo, vol. 17:#4.
1984 Lippard, Lucy, Catalogue:One-person Show,
Graham Gallery.
1984 Lauter, Estella, Women as Mythmakers:
Poetry and Art by 20th Century Women. (Ind. U. Press).
1983 Lippard, Lucy, Overlay: Contemporary
Art and the Art of Prehistory, (New York: Pantheon).
1979 Lippard, Lucy. "Texas Red Hots," Art
in America, (Jul-Aug).
1977 "Four Houston Women Artists," MS Magazine,
Feb.
PUBLICATIONS
1990 "A Return to Alien Roots: Painting Outside
Mainstream Western Culture," Radcliffe Papers. 1986 "The Impulse to Art," The Inquirer (Sept.-
Oct.). 1985 "Clyde Connell," Women's Art Journal, v. 6:2 (Fall/Winter),
pp.30-34.
1984 "Clyde Connell," Catalogue for Women's
Caucus for Art, Women of Honor Exhibition, 1985. (with S.Bloom)
1983 "Beyond Political and Economic Equality,"
Women Artists' News, v. 8:4 (May-June), pp. 15-16.
ORGANIZATIONS
1993 The Ilusas: A Women's Drum Corp.
1991-95 Artists' Board, Lawndale Art and Performance
Center, Houston.
1988 Co-chair, 1988 Annual Conference of the
Women's Caucus for Art.
1984 Organizer, Houston Area Artist's Call
Against U.S. Intervention in Central America.
1976-88 National Women's Caucus for Art: National.
Advisory Board (1986-88), Regional vice-president (1982-85), President, Houston
Chapter (1979-80).
OTHER WORK IN THE
ARTS
1995 Curator, "The Presence of the Absence
of the Presence," Barbara Davis Gallery, Penzoil Place, Houston.
1995 Houston coordinator, "Art Under Duress:
El Salvador 1980-present," Lawndale Art and Performance Center.
1995 Performance Piece: ART BABBLE, the Illusas,
College Art Association, San Antonio.
1982 Designed sets for Measure by Measure
by William Shakespeare. Main Street Theater. 1977 Set Designs for Gold, Frankincense,
and Myrrh, Space/Dance/Theater, Houston, Texas. |